To lead off the afternoon, Zander and the Philharmonic offered a characterful traversal of Weber’s Overture to Der Freischütz ...
Such was the case on Thursday night when the conductor presided over the American premiere of Francisco Coll’s Piano Concerto ...
Musing on decades-old twists of fate isn’t exactly a Zander pastime—his is generally a forward-thinking, in-the-moment type ...
Subtlety may deceive you, Oliver Cromwell warned. Integrity never will. The adage would apply, it seems, both to the title character in Rossini’s opera William Tell—he’s a man of action and his ...
Composers don’t usually apologize for the music they write. But Franz Josef Haydn saw fit to put a disclaimer on the end of Part 2 of his oratorio, Die Jahreszeiten (The Seasons). “This whole passage ...
The Boston Artists Ensemble opened its 45th season by taking on Brahms’s Clarinet Quintet in B minor, Op. 115, amid pouring rain Sunday afternoon at St. Paul’s Church in Brookline. The quintet was ...
“Muß es sein?” Beethoven scrawled at the beginning of the finale of his last string quartet. That conundrum (“Must it be?”) loomed large for Sofia Gubaidulina, whose music often wrestled with big ...
“You may ask, ‘Why do we wear the roses?’” said Andris Nelsons in a rare statement from the stage at the Boston Symphony Orchestra’s season-opening concert. “It’s a sign of love, admiration, respect, ...
The name refers to the Dresden court’s 18th-century music cabinet, a repository of manuscript scores and parts that preserved repertory collected around one of Europe’s most cosmopolitan musical ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results