After three years and £57 million, today the Courtauld Gallery has announced its reopening date of November 19, with tickets going on sale to the public. The gallery, which houses masterpieces dating ...

A gallery assistant studies a forgery "Virgin and Child, called the Madonna of the Veil" created by Umberto Giunti, in the manner of Sandro Botticelli at a press view for "Art and Artifice: Fakes from ...

What’s in a forgery? More than you would expect, according to a new show at London’s Courtauld Gallery. Opening June 17, “Art and Artifice: Fakes from the Collection” brings together paintings, ...

The Courtauld’s current home, the late 18th century Somerset House, has never been wholly comfortable with the physical adaptations needed to fit it for a 21st century teaching institution and art ...

Work from the collection of English industrialist Samuel Courtauld—who helped introduce the UK to Impressionism—is heading to Paris next year. The Fondation Louis Vuitton will stage “The Courtauld ...

“I never try to create real spaces – only painted spaces. That’s all I am interested in. That may be why there is never really any specific time or place in my painting.” The quote is by Peter Doig, ...

This small, perfectly formed survey will surely be noted as one of the best exhibitions this year, the type of exhibition at which the Courtauld Gallery clearly excels: small, tightly focused, and ...

Perino del Vaga, Holy Family with Saint John the Baptist, c. 1528-37, © The Samuel Courtauld Trust, The Courtauld Gallery, London William Blake, in his annotations ...

“If we want things to stay as they are, things will have to change,” says Tancredi, the anti-hero of the Italian novel The Leopard. It is perhaps unfair to compare the Courtauld Gallery to the 19 ...

Installation view of There Not There at the Courtauld Gallery, London (photo by Oscar Abdulla, image courtesy the Courtauld Gallery) LONDON — How to convey the presence of absence? Or, more difficult, ...

“When the Courtauld Gallery closed in 2018 for renovation, I feared it might lose the atmosphere that made it one of the most unique London museums,” said Ben Luke in the London Evening Standard. “But ...